reconnecting

12.01.2023 - 01.02.2023
Vestibule reconsiders the exhibition not as an enclosed space that hosts works of art and visitors but instead as a system whose growth can be exponential and unpredictable.
Collaborator : Lennon Mhishi
12.12.2022
Divergent Conservation. Discussing preservation and transmission of collections of colonial provenance
Collaborator : Lotte Arndt
05.12.2022 - 06.12.2022
Menagerie virtueller Tiere
Collaborators : Marian Nur Goni, Sam Hopkins
05.12.2022 - 10.12.2022
Blue Print Blues: Exhibition of drawings by the artist Serge Demefack
Collaborator : Lucie Mbogni Nankeng
02.12.2022 - 04.12.2022
Material and discursive returns: colonialism’s remains
Collaborator : Sophie Schasiepen
20.11.2022 - 12.02.2024
Contagious Objects - Seminar at École supérieure d'art Avignon
Collaborator : Lotte Arndt
16.11.2022
Life and Death in Museum Conservation. Experimental Seminary 3: Keeping Musical Instruments: Cité de la Musique, Paris
10.11.2022 - 11.11.2022
Récits d'objets: traduction et exposition
Collaborator : Rossila Goussanou
09.11.2022
Life and Death in Museum Conservation. Experimental Seminary 2: Films and Works by Jumana Manna and Minia Biabiany
07.11.2022 - 09.11.2022
colloquium: « Research on slavery in the world: an overview »
Collaborator : Lucie Mbogni Nankeng
02.11.2022
Life and Death in Museum Conservation. Experimental Seminary 1: Concrete and Seeds in Aubervilliers
12.01.2023 - 01.02.2023
Vestibule reconsiders the exhibition not as an enclosed space that hosts works of art and visitors but instead as a system whose growth can be exponential and unpredictable.
Abstract :

Program

Vestibule | UAL (arts.ac.uk)

Practical :

On 18 January 2023 , Lennon Mhishi will participate in two conversations:

  • Disruptions: power dynamics of acquisition
  • Prisoners of Love: Affect, containment and alternative futures

Lethaby Gallery, Granary Building, London

Organised by the UAL and Central St Martin

Collaborator : Lennon Mhishi
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  • Disruptions: power dynamics of acquisition

This conversation will explore the power dynamics of acquisition in museums and galleries. From researching existing collections, to surface bias, to working with acquisition selection panels, commissioning new work and working for restitution and reparation. What is a collection? What does it mean to have your work accessioned? We will reflect on the power dynamics of selecting student work for the UAL collection and how they have been overturned, as well as situating this work of disruption within its broader, urgent and ongoing political context.

  • Prisoners of Love: Affect, containment and alternative futures

Connecting UK museum collection items with home and diasporic communities through virtual visits and art practices. A conversation about Prisoners of LoveConcepts Have Teeth and Mootookakio'ssin research projects, with work and thoughts from students who have been part of the projects. Art practices embedded in a web of relations between de/colonial histories, technologies and digital media.

Program: