Researcher and curator Lotte Arndt (Paris) accompanies the work of artists who question the postcolonial present and the antinomies of modernity in a transnational perspective. As part of the international project Reconnecting Objects. Epistemic Plurality and Transformative Practices in and beyond Museums, she is currently conducting a research project on biocides and the antinomies of conservation in ethnographic museums. Between 2014-2021, she taught at the École supérieure d'art et design Valence Grenoble. She is part of the artistic research group On-Trade-Off, co-founder of the online journal Trouble dans les collections, and member of the editorial board of the journal of the Centre d'art La Criée, Rennes. Among her projects: Elvia Teotski: Molusma, La Criée, Rennes, Sep 2021; Extractive Landscapes (with Sammy Baloji, Salzburg 2019); Tampered Emotions. Lust for Dust, Triangle France (2018); Candice Lin: A Hard White Body (2017, curated with L. Morin, Bétonsalon, Paris; 2018, with P. Pirotte at Portikus, Frankfurt/Main). Selected publications: Toxic afterlives of colonial collections. Trouble dans les collections, no. 2, September 2021 https://troublesdanslescollections.fr/2246-2/; Candice Lin. A Hard White Body (ed. with Yesomi Umolu), Chicago University Press, 2019; Magazines Do Culture! Postcolonial Negotiations in Parisian Africa-related Periodicals (2047-2012), Trier, WVT, 2016; Crawling Doubles. Colonial Collecting and Affect (ed. with Mathieu K. Abonnenc and Catalina Lozano), B42, 2016; Hunting & Collecting. Sammy Baloji (ed. with Asger Taiaksev), MuZEE, Galerie Imane Farès, 2016.